February 20: Have a Birthday the Cobain Way

All the best to the town of Aberdeen and all who attend the Kurt Cobain Day celebrations today, hope it goes really well! Gillian G. Gaar (who also has a cool new ebook on Smells Like Teen Spirit out — check it!) describes the events here:

http://blogs.seattletimes.com/soundposts/2014/02/13/aberdeens-first-kurt-cobain-day-to-be-held-next-week/

So, was Kurt Cobain bothered by his birthdays? Certainly it’s noticeable that even if the week of his birthday found him on tour the band never played that day:

02/19/90 – The Mason Jar, Phoenix, AZ / 02/21/90 – Blue Max, Chico, CA
02/19/92 – Nakano Sunplaza, Tokyo, Japan / 02/21/92 – Pink’s Garage, Honolulu, HI
02/19/94 – Patinoires du Littoral, Neuchâtel, Switzerland / 02/21/94 – Palasport, Modena, Italy

It’s at least possible to say that in those three years Cobain spent his birthday either in one city or the other, or on the drive/flight between them. In 1993, the band had finished most of their playing for In Utero so actively took time out to celebrate Cobain’s birthday while in residence at the Cannon Falls, Minnesota studio of Steve Albini. Though four occasions do not make a trend, what can be said is that, even if by accident, Cobain never worked on his birthdays — maybe that’s a positive acknowledgement, taking a day off for it, maybe it’s a negative never wanting to associate a birthday with a creative act, that’s up for debate.

One way of considering the attitude toward birthdays is to expand the data pool a bit…What did the band do for Krist Novoselic’s birthday between 1987 and 1993? His birthday falls on May 16…Hmm…Again, they never play on his birthday, though they are somewhere in amidst the preparation for Nevermind on his birthday in 1991. The one time though that they’re actually touring around his birthday they do skip the date:

05/14/90 – The Garage, Denver, CO / 05/17/90 – The Zoo, Boise, ID

Nor did the band ever play a show, record or play a radio session on Dave Grohl’s January 14 birthday though, of course, for him we’re only looking at 1991 to 1994, four data points. For the record they don’t play on Chad Channing’s January 31 birthdays in 1989 or 1990 either. I think it’s all just coincidence given the limited number of data points and examining the three tours; February 1990, May 1990 and February 1994 doesn’t suggest a deviation from a trend either. So! It’s a glorious point of no answer today, but Cobain never played on his birthday.

Anyways, in terms of my own small marking of Kurt Cobain Day, I thought I’d simply give away my favourite chapter of the Dark Slivers book — it’s called Family Man. Click on the link, it’ll take you to a redundant new page where you can open the PDF and download.

Family Man

I’ve always found attempts to state a single uber-meaning for a Nirvana song fairly ludicrous given the disjointed writing methodology on display; most choruses have little relation to the verses around them, verses barely connect while the lines within a verse often flip focus. It doesn’t mean though that it was just impressionistic gibberish — compare it to Beck’s album Odelay where the lyrics consist of a gush of one-line/two-line images — Cobain’s work has a consistency of theme and image running across years if not necessarily within individual songs.

Rather than sinking into endlessly asking “what is In Bloom ABOUT, mannnnn?” I felt a better approach was to draw together the lyrics from Cobain’s three albums, plus Incesticide and the single/compilation tracks released during his lifetime and break them by theme to identify the way certain modes of expression persisted, how certain topics were tackled and how some subjects became more or less prevalent. Incidentally, as context, I believe Cobain wrote three types of song; story songs which declined and halted by 1990, character sketches which became ever more vague by the time of Oh the Guilt and Curmudgeon; leaving the mode he’s primarily known for which I call the abstract address, series after series of not intimately related points relayed to an unknown audience. I’ve hooked a few pages from the preceding chapter into it as well just to expand the number of funky tables.

Happy Kurt Cobain Day denizens of the musically obsessed world. Every best wish for your day!

Nirvana and Lollapalooza

Nirvana: Lollapalooza Tour EP 1994

I’ve muttered on about Lollapalooza before, this is just a very brief addition to the topic. I noted that Perry Farrell and the organisers hadn’t been asked about it. A few brief attempts to contact Mr F didn’t get far so I just popped a question on Twitter – land of those incapable of making an extensive or wide-ranging argument or luxuriating in a flow of words (a comment on the medium not Mr F I assure you – he’s a sharp guy!) Anyways, just a minor addition to the store of Nirvana knowledge but he did reply with the following:

Lollapalooza

Not a major addition, more a touch more chronology indicating that the band did accept – after one of their usual bursts of word play and teasing. I shouldn’t credit Cobain with all light plays on words but it does hint that he either was involved, or that he had allowed someone to go ahead and agree on his behalf even if he had only the slimmest intentions of going ahead with it. The silence is just fairly typical passive-aggressive North-West behaviour – best not to reply than to offend by saying something someone might not like or might come back on. It was suggested to me the other day that this is a fairly common characteristic of the area – a bit like how I was once told that the Japanese would rather move office and disconnect the number than say no to you on a phone call. As I’m British and therefore make weasling out of blunt honesty a core part of my average day I can definitely sympathise.

I’d simply been curious regarding what point in time the invitation had been made – this is still up for grabs. I’ve never been a fan of the idea that Cobain plotted his end over a lengthy period of time and I was wondering whether the invitation was made in late 1993 or whether the band received the invitation in the spell from February onwards when he seems at his worst. Ah well, nice there are always questions.

The Gits, Boycotts and NBC

http://thegits.com/?page_id=3459

Even in amidst the peaks and troughs of his troubled final year, Kurt Cobain’s basic decency remained on display. Reacting to the news of the brutal rape and killing of Mia Zapata the band used their weight to ensure that there’d be a good audience for the benefit that allowed Mia’s friends to begin the private investigations into her death that ultimately led to finding the murderer.

http://www.rollingstone.com/music/news/gits-drummer-blasts-nbc-for-exploiting-mia-zapatas-death-on-tv-20140114

After a crazy time in which band members and male friends were the obvious first suspects, during which the police investigators questioned the role played by whatever Mia happened to be wearing that day in her fate (for the record and though I’m sure it doesn’t need stating, rape is not a crime that relies on someone dressing for the occasion – it’s about power and opportunity. The physical vulnerability of the victim versus the physical strength of the attacker plus the availability of a suitably discreet venue are the key factors – the attractiveness or otherwise of an individual is why you date them not why one forces an unwanted sexual act on them. Anyways, I digress…) and nothing seemed to be moving. An awful lot of money, an awful lot of work went into solving the crime and it took over half a decade to reach a result. Simultaneously, the hopes and dreams of an up-and-coming group of musicians were broken; they lost a beloved friend and also their own day-to-day lives were irrevocably altered as the chance to play, tour, record and progress as a group (and as a job that gave them their living) was whipped away. It’s understandable that the entire incident was extremely wounding to those involved and that reprising it comes with pain that must be considered.

That’s all context though – I think I’ll let individuals at the heart of this speak for themselves.

Happy Friday comrades!

http://fiberglassjacket.blogspot.co.uk/2014/01/lets-get-gitsploitation-straight.html

Cobain’s Drugs Party in 226/526

A fun and entertaining sideline presented to me by Jeremy Keene – thank you fella! At about the three minute mark of this neat little interview with Duff McKagan there’s a mention of the famous room at the Marco Polo Hotel. Duff points out the echo of a song by punk band GBH:

The thought therefore occured that maybe the room was wrong but there’s definitely no fifth floor or room 526 at the motel – but that doesn’t mean it isn’t a knowing echo. Cobain’s work is strewn with puns on other words and twisted meanings. It’s an intriguing possibility that, even when at his lowest, there was room for a sardonic smile when it came to choosing the room.

I’ve mentioned before how the final months of Cobain’s life are filled with echoes of his past – that he seems to have been looking backwards – a 1984 punk track isn’t out of place at all. Examples? Jesus Don’t Want Me for a Sunbeam had been played only twice after its heyday in 1991 until it reappeared at MTV Unplugged; similarly Where Did You Sleep Last Night had cropped up only once or twice a year since 1989 before becoming a landmark TV performance for the band; in 1994 only two new songs featured in Nirvana set-lists but one was My Sharona by the Knack – a band Cobain had pointed to back in 1991-1992 as a comparison for Nirvana- while the other was My Best Friend’s Girl by the Cars, played at Nirvana’s last show and reputedly one of the first songs he ever learned; the suicide note reference to ‘dear Boddah’ tying to a childhood imaginary friend; calling his grandfather out of the blue, for the first time in ages, just to talk. It made sense too that key tour partners in Europe were his teenage favourites, the Buzzcocks, and perennial supporters, inspirations and Aberdeen buddies, the Melvins – his desire to support and see favourites was of course on display but was another part of this apparent cocoon of old comforts. The fact he mainly did it with music and with family is an indication of the twin poles of salvation he’d looked to.

E.F.F.E.C.T. Cobain 1992 through 1994

My hangovers have become two day extravaganzas. One day of physical pain then a second day of general emotional vibes and not quite being with it, motivation down, self-criticism up. Apparently this is quite common. Partly it’s age, partly it’s because I don’t drink as often as I used to so my body just isn’t used to it – plus not drinking often means it’s possible to see the depressive effect of alcohol for what it is. Alcohol in itself is a pure substance, but we consume it usually in adulterated forms and imprecisely varied amounts so the body is facing an array of chemical onslaughts. Couple that with the impact of body temperature, pre-existing mood and psychological status, physical health, body mass, efficiency of internal organs, whether one is drinking stood up or sat down, sleep patterns, quantity and/or type of food consumed with it, whether one drinks water…The impact of alcohol in a laboratory can be tested to derive a scientific rule or equation but loose in society it becomes a conundrum of infinite complexity. Most of us have experienced it; the morning after a booze-soaked outing but somehow we’ve survived, or the couple of pints on the way home that somehow leaves the head buzzing the whole of the next day – or the friend who downs beer with abandon but needs carrying home as soon as they touch shots.

I’m always struck that people often have difficulty dealing with ambiguity; in the case of Cobain I’m always struck by people studying photos, looking at video footage, reading observations from others and claiming that the reality of his addiction wasn’t all it was made out to be because he was fine on this occasion or that. As I’m sure most people actually do realise on some level, the fact the impact upon him varied shouldn’t come as a surprise. The fact that in July 1993 he overdosed sometime in the period immediately before going on and was still able to play indicates that he was remarkably functional drug addict able to sing and play guitar despite being undoubtedly under the influence and probably not in anything close to a decent state. On the other hand, The Jesus Lizard have said before that it wasn’t exactly a virtuoso performance – he phoned it in. Not such a disaster that people talk about it in the way they do the January 16th show in Sao Paolo but still a zombified human being. It was both things at once – amazing stamina and well-practised capability, drug-induced sluggishness and lack of energy.

Examining a video and catching behavioural changes resulting from drug use might be valid, but the only thing that could be told from a photo would be skin damage and/or weight gain/loss. Similarly, the indication of off-kilter movement or speech on a video says that at that point in time someone might be having trouble…But it doesn’t extend to suggesting that three days later that was still their ongoing condition – it captures a moment not a trend or a pattern. The video and camera doesn’t lie, people are just asking far too much of it if they expect it to tell all about an individual. The functioning of his internal organs, the chemical impact on his brain, on fluid levels, on lung capacity, on heart rate or vision – none of this can be told without a close up examination.

To make a wider statement about his holistic condition across a period of time means combining evidence and here the evidence is very clear; witness reported overdoses, statements regarding drug use or purchase, photos indicating skin damage (take a look at the shots from Paris in 1994 where makeup was required to cover what had happened to his face), video clips indicating impacted motion and performance, hospitalisation, self-reported usage, the independent decision to seek treatments, reported physical pains and issues that may or may not have been linked to drug use. There’s no debate, given the span of time over which these sources are available, that there was a committed ongoing drug habit of varying intensity with spells of relatively controlled or intermittent usage and periods of heavy debilitating and incapacitating usage. There’s an expectation – born of a focus on worst case scenarios and imagery that sticks in the mind – that he should look like a Nancy Reagan approved dessicated skeleton, preferably with damaged teeth and eyes rolled back. He never did. In some images it’s clear that at age 26 Cobain had grown into his looks, in others he’s looking pretty rough – no one image can tell the tale and there’s no single pattern or path that could be observed in something as blunt as an image.

As human beings in a rapidly moving world, we make mental snapshots that allow us to evaluate and respond at pace; we rarely assess our fellows wholly or completely. Common statements that always make me twitch are “he didn’t look/act like a (insert choice here – pedophile, mass murderer, terrorist, spree killer, serial cheat, fraudster)” as if anything other than a tiny minority of individuals fall into the required image. It’s particularly lunatic because all those items are legally created and contextual descriptions – in a society with no legal age limit for sexual activity there’s no such thing as illegal and therefore immoral activity with a child, in a society that accepts killing in certain situations even mass murder doesn’t mean one wouldn’t invite them for dinner, meanwhile the ability of respectable individuals in smart clothing to egregiously enrich themselves seems to be a boom industry because people judge the clothing, personal grooming, accent and presentation rather than any awareness of internal intent or objective.

The result is statements like “I don’t understand why they’re unhappy – I mean, they’re rich/beautiful/successful/powerful/loved…Ad infinitum.” Again, easy external markers are used as a substitute for any knowledge of the internal emotional and/or psychological condition of an individual. It’s like saying of someone who dies of cancer – “but they looked so healthy,” – our position as external observers of one another gives us no ability to glance inside to that individual’s personal measures of success, personal frustrations or desires. In order to be able to function as a social order, in other words to understand and judge or react to status, position and our potential relationship to an individual, we substitute the things that we can measure at a glance; style, demeanour, brands, employment status and so forth. None of these things show us what the person might be like one minute to a next but they’re the nearest we can get in the quick-study contact most of us experience with one another day-by-day.

In the case of Cobain, he didn’t need to look like a drug addict to be one. And being chemically or psychologically dependent on pharmaceuticals didn’t make him a less moral or less decent person – nor a less functional one. Just as one’s morality exists independent of what one eats for dinner, so did Cobain’s. Anyways, sorry! Afternoon rant over!

For the record, the only thing I’ve ever found truly effective against a hangover is how much water I consume WHILE drinking – I used to drink water afterwards when I made it home but too much at that point disrupted sleep and so forth. Avoid mixing – for it is the devil’s work!!

The Market for Nirvana Tickets: the Brixton Academy Perspective

http://www.theguardian.com/music/2014/jan/24/nirvana-gigs-kurt-cobain-dead-london-brixton-academy

I recall one reason I really hated the Sandford biography of Kurt Cobain was that it situated a Nirvana show at Brixton Academy in 1992 for some reason – that was one of the more minor factual errors in a book riddled with them. Actually, while I’m on the topic, I’d have to say that’s the only book I ever was so bothered by I took the time to write a review on Amazon.co.uk calling it out on disgraceful use of sources, endless factual errors, a visible absence of proof reading meaning the writer would say the precise opposite of a previous statement just a few chapters after an initial opinion…It’s a disgrace that book…I mean, one chapter begins with a scene in which, in amidst the fall of the Berlin Wall, Cobain is spotted on a rooftop being done anally by another man – I mean, how was he spotted, identified, why would he be on a roof, where’s the evidence, what the hell?! He also accuses Cobain of beating a man into a coma in the mid-Eighties – again, no sign of this elsewhere. it’s one of the most amazing hatchet jobs I’ve ever seen, a true disgrace. The author basically has a belief that Cobain’s deification was leading teens to believe suicide was cool and that, therefore, denigrating Cobain, destroying his image, would lead people to reject him. Stunning – can’t believe it ended up in print.

Anyways, I digress. A neat little finale for a Friday, an excerpt from a new book describing the reaction at Brixton Academy to the death of Cobain. I actually like its honesty – when faced with hundreds of thousands in claims for refunds is there any individual who wouldn’t be kinda focused on the personal impact rather than the distant tragedy? The author’s honesty appeals and seems a realistic vision of the business impact of Cobain’s death – individuals round the world suddenly pitched into the logistical, financial and organisational demands created when a major component of a system disappears unexpectedly. Intriguing to think this same process was occuring in numerous venues across Europe with whatever local variations were required.

Miscalculating: Nirvana in Argentina, October 30, 1992

Apparently a new source has surfaced featuring a chunk of the misbegotten performance Nirvana turned in on January 16, 1993 in Brazil…Anyways, it reminded me that I’d been thinking about the Argentina concert and why it was such a mess.

Obviously Nirvana made a deliberate choice and were very overt about saying so around that time – audience sexism toward Calamity Jane being the suggestion. One thing that struck me though, in my ever over-thinking way, is that if the set-list played that night wasn’t an on-the-spot and deliberate act of aggression toward the audience, then it was still a poorly chosen cluster of songs that were almost bound to create an underwhelmed reaction.

Why do I say so? Well, Nirvana seem to have gone to Argentina with little idea about how limited the penetration of underground and indie music into that continent had been. They had complained in 1989-1990 that barely anyone in U.S. could find their Sub Pop releases – well imagine how much worse that situation was in South America; MTV had only just started broadcasting locally, the only songs the audience knew were those from Nevermind because there was no local Sub Pop distribution.

Much comment has always been made of Nirvana’s improvised opening song – a real declaration of intent toward the audience that night. Problem is, only nine other songs were drawn from Nevermind – the rest of the set was utterly unknown to the crowd. Imagine that experience, going to a show at which almost everything played is a mystery so no one can tell the difference between errors on stage, deliberate laxity (i.e., his mumblings of Beeswax) or the way songs were meant to be. The other ten songs played that night consisted of four songs from Bleach (it’s unclear if even the Geffen reissue in April 1992 had made much inroad in this market by October), four songs that would only see wide release on Incesticide which wasn’t out yet, Spank Thru from the Sub Pop 200 compilation and a later single neither of which would have been seen, plus All Apologies, which obviously wouldn’t emerge on record until In Utero a year later. While to a U.S. audience this would have been a perfectly fine line up, it was an odd choice for their first South American gig because for over half the night the audience wouldn’t have known what they were hearing. I don’t know about you, I like hearing something new, something off-the-cuff, something unreleased…But most of a night being dedicated to it?

Terry Lee Hale: the Sub Pop 200 True Exception

Everyone says they love a maverick, an exception – most people shrug and simultaneously say they aren’t but think they are. As Calvin from Calvin & Hobbes put it “I’m significant!!! …Screamed the dust speck.” To be fair, the tragedy of failed imagination displayed when people strive to be precisely the same as everyone else is grim to behold so in some ways I’d rather at least attempt to live life as a howling dust speck than give up and ‘be realistic’.

I think what happens is people define someone as an exception in the full totality of their being when in actual reality people are only exceptional in discreet components of who they are and what they do; we all make our compromise with the norm even if it just means we can exchange verbiage. Which brings me to Terry Lee Hale who precisely defines it with a smile and a shrug; “conformity is a funny thing…Even if one rejects the more acceptable ‘normal’ lifestyle choices there is still a kind of conformity in alternate choices right?”

I’ve known Mr Hale’s name a good many years as the true exception on the Sub Pop 200 statement of intent – a singer songwriter playing acoustic amid the wall-to-wall guitar image Sub Pop were determined to pump out at the time. In a way it keeps Cobain and co.’s then presence in perspective for me; no criticism of them implied. Their rebel yell consisted of conforming to a particular underground milieu that was rising in Seattle and being deliberately dredged up by Sub Pop. Sometimes it’s just the case that one’s voice is attuned to those around, at other times one walks one’s own path – in Mr Hale’s case, ending up as a lone singer-songwriter on the Sub Pop 200 release and a real harbinger of the direction in which Sub Pop would proceed from around the time of Mark Lanegan’s The Winding Sheet onwards. Ever heard Dead is Dead? It’s a charmer – naturally i’ll encourage you to download it legally so the artist actually receives a touch of commission; contrary to popular opinion most musicians are not rich millionaires who can afford all and sundry valuing their hard work at zero.

A further point of intrigue in his story is how the choice that united Hendrix, Sub Pop and others down the years remained true in the 1990s; it was often easier to be a viable musician and to be valued as such by jumping across the waters; Terry Lee Hale made the trip over to Europe in the mid-Nineties and has made his base here.

The song at the top of the page is from his latest album, song and album both entitled The Long Draw – guitar reminds me of those brilliant recordings Michael Gira, of Swans notoriety, would make playing solo but cleaner and far more expert though.

Footage of Nirvana’s December 30, 1993 LA Show

http://www.rockadia.com/news/watch-footage-of-nirvanas-final-la-gig-before-kurt-cobain-s-death/2224

Just a little distraction for a Friday afternoon…Enjoy. Incidentally, I made an error the other day, mistook a January 2013 article for a January 2014 article. Doh! Dumb. Sorry…

Anyways, in other old business…WordPress kicked me a report explaining the blog in 2013 – if you can believe it, 75,000 views over the twelve months? That’s about 205 views if split over 365 days – nice.

Overall

Nations

I’ve cut the graphics from the report just for interest. Top posts? Strangely, still the one I did in 2012 showing Kurt Cobain’s girlfriends/wife in graphics and stats – sheesh…I suspect spam activity! The next was most views was the photos of Cobain’s house on Pear Street in Olympia – over 6,000!

In total I submitted 237 posts – hope it gives an impression of working hard to make sure there’s something interesting going up…