Much on With Nirvana’s Legacy…? Do Re Mi as Dream Pop

Posted: June 8, 2013 in After In Utero - The Final Year 1993-1994, New Music and New Discoveries

CEffect_1

Just enjoying perusing my copy of the Cause & Effect Vol.1 triple 7″ set. I was made aware of the release, and of the Joyful Noise label, via Adam Harding of Dumb Numbers. This bloke has done a lot for my listening habits this year – a few months he even gifted me a link to this little beauty:

I admit I actually stated that I prefer it to the Cobain solo demo; it was such a surprising reconfiguration, the muscular backing rhythm giving some heft even as the vocals retain the fragility of the original effort, while still using backing vocals to give the song a gorgeous dreamy effect. It’s light and heavy all at the same time and I totally adore it.

As for the Cause & Effect set, heck what’s not to like? There’s something lush about vinyl and the packaging on this one is wonderfully intricate – outer package, inner sleeves decorated with images of the various artists, coloured vinyl on the inside… I don’t want to fetishise the object(s) but it did give me pleasure studying these this morning and seeing how much effort had gone into them. Buy it! Go buy it! You’ll also find the new LP from David Yow (former Scratch Acid, formerly The Jesus Lizard, definite vocal influence on early era Kurt Cobain) and the new EP from Sebadoh too. Goodies!

Meanwhile Duluth, Minnesota’s finest – Trampled by Turtles – are playing a batch of shows in the U.S. and have an entertaining new video up which made me chuckle:

http://trampledbyturtles.com/

And what of my 2012 meisterwerk, Dark Slivers: Seeing Nirvana in the Shards of Incesticide? Well, it rolls on alongside my efforts on the blog front, alongside fresh ideas germinating and generally sprouting in a way that makes it hard to find time around work to translate it all into full-blooded words on paper… I admit, on the topic of object-focused fetishism, a normal Saturday morning topic, that people often asked me last year whether I’d considered just doing it as an e-book. I was very firm that given I was writing, ultimately, out of pride and ego, that I wanted to hold the physical object in my hand, I wanted a book, not just data on a screen. It was the right choice. OK, it meant I worked hard to make the words what I wished of them, to make something I felt said new, interesting stuff about Nirvana, about Incesticide, about Kurt Cobain – but it felt great seeing the book. I’ve got about 20 copies of the second print run left now, not bad, not bad. Just drop me an email at nirvanadarkslivers@gmail.com if you want to inquire about it.

Inner and Vinyl

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