A Personal SWANS Playlist

Posted: July 2, 2018 in SWANS: Sacrifice and Transcendence

SW

https://play.soundsgood.co/playlist/swans-sacrifice-and-transcendence?utm_source=url&utm_medium=sharemodal&utm_campaign=shareplaylist&utm_content=playlist_5b3251a17951947320ffb9d3

Having spent the past year-and-a-half immersed in the music and stories of SWANS, it was an honour to be invited to put together a playlist focused on the band. What I did, in each case, was tried to identify a quote from a member of SWANS that spoke about the context or content or performance or meaning of a song – then try to say, in my own infinitely fallible words, what the song means to me or why it stands out in my mind.

What I love is that there’s no way to speak of a single ‘SWANS sound’: this is a band that has evolved significantly album-to-album, grown exponentially year-by-year, in which the first EP sounds nothing little like the first album, where 1988’s Children Of God is a vast distance from Greed or Holy Money, where White Light From The Mouth of Infinity and Love Of Life are very different beats to 1984’s Cop or 1994’s The Great Annihilator. I was delighted to learn the other month that the Soundtracks For The Blind album is being re-released: I think it’s one of my favourite three albums of all time – a truly singular object and, until Swans return and the awesome 2012-2014 run of The Seer-To Be Kind-The Glowing Man, the only album I’d heard that I felt needed and deserved to be over two hours long. It still stands as one of the only album-length works in the pop-rock-metal-whatever domain to sustain a journey across that full span of playing time.

Wednesday night in London I’m at Moth Club where we’re showing a number of in-progress clips from Marco Porsia’s upcoming epic film on SWANS. There’s a DJ set from the Blackest Ever Black label opening the night then the film clips will be interspersed with my conversation with the host for the night, Q&A about (and readings from) SWANS: Sacrifice And Transcendence – The Oral History, as well as audience discussion. I’m intrigued to hear what people in the room think.

Moth Club_July 4

Advertisements
Comments
  1. Marcus says:

    You know, I haven’t thought about Blackmail for years, but I used to put the studio version on damn near every compilation cassette I’d make for friends, so they could appreciate SWANS weren’t just noise. That last line is incredible.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s